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Volume :39 Issue : 150 2013      Add To Cart                                                                    Download

The Open Impact: A Study in the Gulf Taste Poetry Bahrain As a Model

Auther : Dr. Abdelqader H. Fidouh

     This research tries to look at a number of poetic texts in the Arabian Peninsula in the light of what recent studies left of poetry reception, in parallel with the deepening of creative poetic activity in mature aesthetic for pioneer poets, after that the experience for this region have gained on the horizon of the maturity greater density and glow, and coalesced the orbits global, national, and coincided concerns of the poet with the existential preoccupations. All by the poetic language affecting its abundance both in terms of persuasion or interestingness and poetic image, which has invested rhetorical heritage, and features of new writing, including the imagination, and the exploitation of the symbols in all its forms at the level of the structure and significance.
     Despite what may appear in the composition of creative texts selected from the discrepancy, we note that there is common ground, both in terms of geographical unity existing in the Gulf and Arabian Peninsula, or in terms of units of goal and result; it initiated the door; to dismantle the semantic discourse through the generation of infinite formulas moral or icon tags, other metaphors, and spaces, which makes semiotic sense by receiving efficiency level of the flow in many of these texts.
     Poets of the Gulf and Arabian Peninsula have been innovative, and looked after the creation of images derived from the core of their faith in their cases of nationalism and humanity, like the contemporary Arab poets who did mobilize the power inherent in their world. This prompted many of them to enhance the authenticity of their experience, including most of the poetry experiments and promising creative abilities.
     The reading of interpretation that we seek in the "open impact" to these texts goes in different directions according to the varying level of creativity of each text. The first is based on the extrapolation of meaning under the final interpretation, and also based on the investment of the interactive relationship between reader and text. The second does not believe in the existence of an original of the semantics. In spite of this, we point out that the interpretation which we mean in this research the texts adopted; because we refuse to be a mirror of the image, or a reflecting mirror, but our desire to merge with the text is what occupies our minds and strengthens our assumptions.
 

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